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physical cinema
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The Body, like the Image,
has the infrastructure to offer the most direct and articulated recording of life, in the most indirect and abstract way.
My process in film making is through a kinetic approach and my field of interest isn't related exclusively to dance films or to purely narrative films, it can be better described under the term of Physical Cinema, in which movement can be applied in various ways. The main intention in that is to include the physicality and generally the movement, in the use of all the narrative tools of a film. (Camera, Script, Performing, Editing etc.)
Creative Task Idea
-- Let's create a monologue for a character who is in a state of a nervous break down and speaks about their childhood.
-- Let's create the same "monologue" using only the body and the movement.
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Which are the elements and the structure of each "monologue" and what will happen if we combine them?
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When the "silence" of the speech is needed and when the "speech" of the body?
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How can we achieve a combination of those two, in a way they function effectively and not descriptively?
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How will the same scene be constructed if the camera is in a state of a nervous break down?
- "Drawing from movement's tools, I attempt to redefine the use and the tools of cinematic creation."